There Is No Catching Up

It’s hard to hold it all in your head. All the different possible ways that you can enjoy life. Or not enjoy life. And all the things that are going on. The different rug patterns. The different car designs. The different radio shows that are coming and going. The new ads. The new crop of famous people.

It’s a joy to read Nicholson Baker’s The Anthologist as I work on a book of my own. Baker’s book is about Paul Chowder, a down-and-out free-verse poet who’s crafted a first-person tomb about the joys of poetry and meter, and the pains of your art and girlfriend leaving you at the same time.

I forgot who said this, but someone once told me that we come to other people’s creative work out of a secret desire and hope that someone understands us better than we understand ourselves. We come to Austen and Kubrick and Basquiat and Aretha under the hopes that they have the same acute feelings, but more able hands and voices that can some how capture that fleeting emotion and crystalize it. We quote, because someone said it better than we can.

But, some days I want it all to stop. I can’t keep up.

And then there is, of course, always, and inevitably, this spume of poetry that’s just blowing out of the sulphurous flue-holes of the earth. Just masses of poetry. It’s unstoppable, it’s uncorkable. There’s no way to make it end. If we could just… just stop. For one year. If everybody could stop publishing their poems. No more. Stop it. Just… everyone. Every poet. Just stop.

There is so much promise. Buttons to push to make words and pictures and films and stories, then the tubes to push them through to capture audiences with meaningful experiences. There is so much opportunity for connection. And so it goes. The work billows out. Most of it is waste, chew-toys for the ruminent mind. But finding connection in creative work is mining for diamonds, not harpooning fish in a kiddie-pool. And developing those capable hands and voices takes time and practice. (And produces a lot of work that is just rubbish.)

But of course that’s totally unfair to the poets who are just starting out. This may be their “wunderjahr.” This may be the year that they really find their voice. And I’m telling them to stop? No, that wouldn’t do.

But still, the never-ending desire to “catch up,” to process it all, and just to feel like you’re on top of things. Catching up would be easy if I weren’t so curious as to what was happening in the periphery, if I gave up on the idea of a polymath and “wide and shallow.” You can’t win with “narrow and deep,” either (because that makes you boring at dinner), so is narrow and shallow the only option left? I hope not.

But wouldn’t it be great? To have a moment to regroup and understand? Everybody would ask, Okie doke, what new poems am I going to read today? Sorry: none. There are no new poems. And so you’re thrown back onto what’s already there, and you look at what’s on your own shelves, that you bought maybe eight years ago, and you think, Have I really looked at this book? This book might have something to it. And it’s there, it’s been waiting and waiting. Without any demonstration or clamor. No squeaky wheel. It’s just been waiting. If everybody was silent for a year… if we could just stop this endless forward stumbling progress… wouldn’t we all be better people? I think probably so. I think that the lack of poetry, the absence of poetry, the yearning to have something new, would be the best thing that could happen to our art. No poems for a solid year. Maybe two.

A year with no poems. A week with no news. A day without kerranging. I don’t long for focus. I long for negative space. Pause. Full rest. Declaring a space that is to remain empty, with the presumption that because a portion is left vacant, it makes the whole better.

Pause. The world will keep charging and accelerating. But, as my friend Drew said, “There is no catching up.” And because of that, I raise my white flag, and crack another dusty spine.

Frank Chimero Designing & writing

Hi, I’m Frank Chimero, a designer from New York. Currently, I’m on sabbatical walking NYC, investigating new creative tooling, and researching Brian Eno’s collaborations with machines.

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Portrait of Frank Chimero

The Shape of Design A short book for new designers about the design mindset

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Writing Selected essays
and lectures

An anvil tied to a balloon
Everything Easy is Hard Again Is it twenty years of experience in tech or five years, repeated four times? 2018
A grid of wood cubes
The Web’s Grain Design by thinking inside the box model 2015
Time lapse image of a galloping horse
What Screens Want Design as choreography instead of composition 2013
A rose growing out of a pile of dirt
Only Openings Some problems must be tended instead of solved. 2014
Two torn pieces of paper matched together
Designing in the Borderlands Designer as translator, integrator, and merchant of ideas 2014

Blog 2009–?

About CV and bio

Hi, I’m Frank Chimero, a designer and writer from New York.

Previously, I was Creative Director and Head of Brand at the payments platform Modern Treasury. Before that, I co-founded and led design at Abstract, a design workflow and knowledge base startup that was later aquired by Adobe.

I also spent fifteen years running a solo design studio and consultancy, designing across product and brand for technology and media companies. Clients include Facebook, Microsoft, Nike, The New York Times, The Atlantic, and many early stage startups. I helped design a few things during that time you’ve probably used, from NPR’s online audio player to Wikipedia’s article pages.

In 2012, I wrote, designed, illustrated, and published The Shape of Design, a little book for new designers about the design mindset and making things for other people. Since the book’s launch, it has become a staple text in design education and found an enthusiastic audience beyond the design community.

I have a big love for museums, beat-up pocket-edition paperbacks, ambient music, antique JRPGs, and Phil Collins. (Nobody’s perfect.)

Experience

  • Sabbatical
  • Creative Director and Head of Brand Modern Treasury
  • Creative Director Fictive Kin
  • Self-employed Studio Frank
  • Co-Founder and Head of Design Abstract (acq. Adobe)
  • Self-employed Studio Frank

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Awards

  • ADC Young Guns 8 Art Directors Club
  • New Visual Artist Print Magazine

Speaking

  • AIGA National Conference
    US
  • AIGA Regional Events
    US
  • An Interesting Day
    NO
  • Awwwards Conference
    DE
  • Build Conference
    UK
  • Creative Works
    US
  • Cusp Conference
    US
  • dConstruct
    UK
  • Design Speaks
    US
  • Design Thinkers
    CA
  • Do Lectures
    UK
  • Etsy
    US
  • Harvard University
    US
  • How Design Live
    US
  • Interlink Conference
    CA
  • Kerning Conference
    IT
  • Mailchimp
    US
  • Mirror Conference
    PT
  • New Adventures
    UK
  • Portable Series
    AU
  • School of Visual Arts
    US
  • Shopify
    CA
  • South by Southwest
    US
  • Substans
    NO
  • Webstock
    NZ
  • XOXO Festival
    US