Time is On My Side

Summer wanderings

Ah, summer, my worst season. Summer and I do not get along. Too much heat, too much light, too much noise, too much cultural baggage. I burn, I sweat, I fester, I sulk. Which is why it came as a surprise that I took the summer for myself. I quit my job at an opportune moment and called it a sabbatical.

My intentions were simple enough: step away from Zoom, Slack, quarterly planning, performance reviews, and the everydayness of corporate tech work to make some space and assess what was next for me.

More practically, I wanted to get back to walking, reading, and writing. These were the foundational practices during the most prolific and enjoyable parts of my career. I longed to feel generative again and to have ideas with depth, meaning, and pleasant uncertainty, ideas whose remit extended beyond the boundaries of one company. I missed the opportunities of the internet as a common place for finding your people and feeling like a part of a group that actually had ideas instead of opinions or pleas for attention.


The summer is now mostly spent, and I am writing to say: not much has happened. I swept away the everyday to make space for the profound, and my days refilled with everyday things. No a-has, no takeaways, no transformation, no strong convictions about the future of technology, design, or Frank. But also: no crises, no existential dread (at least about myself), and very few reservations about quitting as the right choice. I am more spacious inside and enjoying a refreshed ability to attend to the things in front of me. Most people call this a vacation, I guess.

I must admit: it feels awkward to write about this summer. First, because of the privilege—so many people are looking for work right now or can’t leave the work they’ve got. Second, because my writing faculties have rusted—my sentences are crunchy and the cursor pushes to the right much slower than it used to. I scrapped other writing and put off sending this because of my creakiness. And third, well, because there’s a pressure to have noticeable outcomes to life choices like this. I made space, and after 3 months, all I have is a more internalized sense of that space.

But free time also means freedom from expectations. I asked AI what we do with time, and it came back with words that were commercial and violent. We spend time, save time, take time, and make it; manage, track, and save it; we kill time, we pass it, we waste it, borrow, and steal it. We abuse time and it beats us back up, either in retribution or self-defense. It’s a zero-sum perspective of the material of our lives; it makes us prisoners to our own utility.

The AI said nothing about love, loyalty, or enthusiasm. When you wrap those up, it becomes clear that the best thing to do with time is to devote it. That is how you get time on your side. When you are working with time instead of against it, every bit matters, it all counts, even the fallow times, the empty times, the time off the path.

Frank Chimero Designing & writing

Hi, I’m Frank Chimero, a designer from New York. Currently, I’m on sabbatical walking NYC, investigating new creative tooling, and researching Brian Eno’s collaborations with machines.

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Portrait of Frank Chimero

The Shape of Design A short book for new designers about the design mindset

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Writing Selected essays
and lectures

An anvil tied to a balloon
Everything Easy is Hard Again Is it twenty years of experience in tech or five years, repeated four times? 2018
A grid of wood cubes
The Web’s Grain Design by thinking inside the box model 2015
Time lapse image of a galloping horse
What Screens Want Design as choreography instead of composition 2013
A rose growing out of a pile of dirt
Only Openings Some problems must be tended instead of solved. 2014
Two torn pieces of paper matched together
Designing in the Borderlands Designer as translator, integrator, and merchant of ideas 2014

Blog 2009–?

About CV and bio

Hi, I’m Frank Chimero, a designer and writer from New York.

Previously, I was Creative Director and Head of Brand at the payments platform Modern Treasury. Before that, I co-founded and led design at Abstract, a design workflow and knowledge base startup that was later acquired by Adobe.

I also spent fifteen years running a solo design studio and consultancy, designing across product and brand for technology and media companies. Clients include Facebook, Microsoft, Nike, The New York Times, The Atlantic, and many early stage startups. I helped design a few things during that time you’ve probably used, from NPR’s online audio player to Wikipedia’s article pages.

In 2012, I wrote, designed, illustrated, and published The Shape of Design, a little book for new designers about the design mindset and making things for other people. Since the book’s launch, it has become a staple text in design education and found an enthusiastic audience beyond the design community.

I have a big love for museums, beat-up pocket-edition paperbacks, ambient music, antique JRPGs, and Phil Collins. (Nobody’s perfect.)

Experience

  • Sabbatical
  • Creative Director and Head of Brand Modern Treasury
  • Creative Director Fictive Kin
  • Self-employed Studio Frank
  • Co-Founder and Head of Design Abstract (acq. Adobe)
  • Self-employed Studio Frank

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Awards

  • ADC Young Guns 8 Art Directors Club
  • New Visual Artist Print Magazine

Speaking

  • AIGA National Conference
    US
  • AIGA Regional Events
    US
  • An Interesting Day
    NO
  • Awwwards Conference
    DE
  • Build Conference
    UK
  • Creative Works
    US
  • Cusp Conference
    US
  • dConstruct
    UK
  • Design Speaks
    US
  • Design Thinkers
    CA
  • Do Lectures
    UK
  • Etsy
    US
  • Harvard University
    US
  • How Design Live
    US
  • Interlink Conference
    CA
  • Kerning Conference
    IT
  • Mailchimp
    US
  • Mirror Conference
    PT
  • New Adventures
    UK
  • Portable Series
    AU
  • School of Visual Arts
    US
  • Shopify
    CA
  • South by Southwest
    US
  • Substans
    NO
  • Webstock
    NZ
  • XOXO Festival
    US